| Travelling Somewhere consists of a concert recorded by Radio Bremen (Germany) on January 19, 1973, one week before the Chris McGregor & the Brotherhood of Breath show in Switzerland that would be released on Ogun in 1974 as Live at Willisau. The pianist's modern big band was in top shape, with a lineup that blended original Blue Notes players (Dudu Pukwana, Mongezi Feza, and Louis Moholo) with the best avant-garde jazz talents in London at the time (Harry Beckett, Mark Charig, Nick Evans, Harry Miller, Evan Parker, Gary Windo, Malcolm Griffiths, and Mike Osborne). Total: three trumpets, two trombones, four saxophones, piano, bass, and drums. Each musician is a creative force by himself. Together they played an overwhelming maelstrom of free jazz. The keyword here is untamed. Yes, they follow compositions, but their liberty is wide and wild. Just listen to Pukwana's "The Bride"; a melody has been written, but it is being played from all angles.
JazzReview.Com: Avante garde, experimental, fusion…all of that and more is what this music encompasses. Chris McGregor’s Brotherhood of Breath was formed in 1970. Although the lifespan of the group was very short, there was enough great music recorded to fill an album’s worth of material. This music is very similar to Miles Davis’ ground breaking jazz fusion. The track “Night Poem” is over 20 minutes of free-form jazz. I actually found it to be overkill. All the rest of tracks were typical length for the genre and very entertaining with a solid foundation. McGregor plays the piano and xylophone nimbly and with enough visionary creativity to invite the listener to enjoy their own private show inside the confines of their own mind. His support is beyond stellar; every member of the band contributes with equal amounts of musical intelligence. Everyone plays to their own strength, thereby letting it all come together seamlessly. This has to rate as a fusion classic, and one that few too many people haven’t had the pleasure to hear. Now it’s available in glorious vinyl and CD. Either format will prove to be a worthwhile purchase. Staunch jazz traditionalist need not bother; this is for those that have the free form mindset. Those listeners that have the gift of hearing all the parts of the musical composition at once, and separately, will find this to be a most enjoyable experience. |