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| "The orchestra’s main power lies in its ability to consume and transport the listener. The sheer tonnage of vibrations generated by a large ensemble cannot be replicated or approximated by mere volume or electronic reproduction. The raw acoustic phenomena of twenty-or-more instruments working together in a single space to form a single sound entity is a radical and unmatchable kinetic force.
"To then add improvisation to the orchestral palette, and the implications that are posed by spontaneous music generation, is to knowingly step completely outside of the institutional orchestral tradition. It is, however, to enter into another tradition established by such pioneers as Earle Brown, Morton Feldman, Anthony Braxton, Leo Smith, Muhal Richard Abrams, Karlheinz Stockhausen, John Cage, and so on." —Scott Rosenberg |
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ARTISTS
Lisa Goethe-McGinn, flute; Kyle Bruckmann, oboe; Matt Bauder, Jesse Gilbert, Paul Hartsaw, Laurie Lee Moses, Todd Munnik, Aram Shelton, reeds; Todd Margasak, Nathaniel Walcott, trumpets; Jeb Bishop, Nick Broste, trombones; Megan Tiedt, tuba; Carol Genetti, voice; Nathaniel Braddock, John Shiurba, guitars; Jen Paulson, viola; Chris Hoffman, Drew Morgan, violoncellos; Kyle Hernandez, Elizabeth Kennedy, Jason Roebke, contrabasses; Steve Butters, Jerome Bryerton, Tim Daisy, percussion; Jim Baker, piano/synthesizer; Scott Rosenberg, conductor |
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