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| What James Tenney does have in common with the composers to whom he has dedicated his FORMs, however, is not a specific approach to dynamics, but to sound. And precisely this inquiring interest in sound, both as a physical phenomenon and as regards its perception, was a constant leitmotif that pervaded the whole American avant-garde in the 20th century. To a certain extent, it could even be seen as a decisive characteristic distinguishing the American avant-garde from its European counterpart, which was more structurally and historically oriented. – Raoul Mörchen |
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ARTISTS
James Tenney (composer);
MUSIKFABRIK:Paulo Alvares celesta & piano, Marina Ascherson viola, Jan BabineC horn, Marco Blaauw trumpet, Helen Bledsoe alto- & piccolo flute, Bruce Collings trombone, John Corbett clarinet & bassclarinet, Nándor Götz clarinet, Gregory Johns cello, Seth Josel guitar, Tomoko Kiba violin, Ulrich Löffler organ, Sarah O’Brien harp, Thomas OEsterdiekhoff percussion, Melvyn Poore tuba, Ellen Ruth Rose viola, Alexander Scheirle cello, Heinrich schkrobol double bass, Peter Veale english horn, oboe & musette, Alban Wesly bassoon & contra bassoon
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TRACKS
CD 1271
1 James Tenney Form 1 (1993) 18:44
In Memoriam Edgar Varèse
2 Edgar Varèse Octandre (1923) 7:09
for flute oboe, clarinet, bassoon, horn,
trumpet, tombone, double bass
assez lent, très vif et nerveux, grave
3 James Tenney Form 2 (1993) 16:44
In Memoriam John Cage
4 John Cage Seven (1988) 20:00
for flute, clarinet, percussion, piano,
violin, viola, cello
Total Time DDD 63:00
CD 1272
1 James Tenney Form 3 (1993) 14:00
In Memoriam Stefan Wolpe
2 Stefan Wolpe Piece (1971) 7:42
for trumpet and seven instruments
3 James Tenney Form 4 (1994) 16:38
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