Journey To Donnafugata

With a robust crew of musicians (Bonafede and Rava are joined by guitarist John Abercrombie, bassist Ben Street, drummer Clarence Penn, and special guests Ralph Towner on classical guitar and Michele Rabbia on percussion), the group seeks to honor Rota’s score, while celebrating the glory of Sicily’s rich musical culture and expounding on the work with its members' own adventurous ideas as musicians and improvisers. One of Bonafede’s three original compositions on the disc, “Reputation And Character,” mixes Towner’s gypsy plucking with Abercrombie’s wicked rambles and Bonafede’s impish tinkling, all thrown into a steaming stew filled with both the exotic and the familiar. They play off each other, complementing and contrasting, but joining up as well, like musical mates finding their “buddies” on a field trip. They ramble together through whimsical passages like the courteous jaunt between Rava’s flugelhorn and Abercrombie’s guitar on “Mazurka.”

The swinging jubilance of “Quadriglia,” propelled by Ben Street’s jousty bass and Penn’s paunchy drums, allows Bonafede to wield freely among his mates. Slowing things down, Towner’s mysterious classical guitar on Bonafede’s “Taceas, Me Spectes” arouses the long tones of Rava’s trumpet for the 24-second “Gran Valser” that follows.

For “Angelica,” Bonafede’s tune named for the film’s female lead, Abercrombie busts out with a rock solo, setting up an anthemic atmosphere for Rava to blow on that culminates in a bristling polyrhythmic chandelier of guitar, piano, drums, and bass. The pianist rented a studio in Sicily next to the Villa Boscogrande, where parts of The Leopard were shot. His arrangements of Rota’s work are commendable, but his own compositions are where this band really breathes.