| Irreverent, psychosexual and always fascinating, Ferrari's work manifests itself in texts, instrumental textures, electroacoustic compositions, reportings, films, theatre, etc. It is an honor for Tzadik to release two of his most important works from the 1970s, recorded under the supervision of the composer himself. 'Place des Abbesses,' the first electro acoustic portrait work realized at his home studio in Paris, 1977, is an evocative portrait of a small square between The Sacred Heart of God and Saints and the Pigalle of licentiousness and sex, two familiar Ferrari obsessions. 'Cellule 75' is an explosive, dynamic work for piano, percussion and tape, balancing improvisational spontaneity with the more exacting writing of classical forms. |