Siemens-Studio fur Elektronische Musik

The anthology includes John Cage's 'Imaginary Landscape No.3' (1942) for 6 percussionists and electronic sounds, Kolner Ensemble fur Neue Musik under the direction of Mauricio Kagel; Mauricio Kagel 'Antithese' (1962); John Cage and David Tudor 'Klandexperimente' (1963); Henri Pousseur 'Ziele und Aussichten der elektronische Musik'; Dieter Schnebel 'ki-no - Nachtmusik fur Projektoren und Horer' (1963/67) for concrete sounds and noises, sound direction by Josef Anton Riedl; Josef Anton Riedl 'Komposition Nr.3' (1965/67) for electronic and concrete sounds with the voice of François Bayle; Ferdinand Kriwet 'JAJA - Hoertext 2' (1965) two excerpts for voice and electronically modified voices; Paul Portner 'Schallspielstudie 2' (1965) four excerpts for voice and electronically modified voices; Josef Anton Riedl 'Un chien andalou' (1959/75) electroacoustic music; Josef Anton Riedl 'Folge von 4 Studien Nr. 59, 61, 62/I, 62/II'; Josef Anton Riedl 'Komposition Nr.2' (1963/65) music of the VariaVision 'Unendliche Fahrt'; Josef Anton Riedl 'Sendezeichen' (1962); Josef Anton Riedl 'Titelmusik' (1962); Milko Kelemen 'Judith' (1966) electronically modified orchestra sounds and electronic sounds; Herbert Brun 'Klange unterwegs' (1961); Josef Anton Riedl 'Leonce und Lena' (1963) for voice and electronically modified voice and instrumental sounds.

20-page booklet with historical photos of the electronic music studio and essays in German.