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The Choir Boys with Stings
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Rest of the Skeleton (exerpt) |
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| Trumpeter JEFF KAISER and clarinetist/saxophonist ANDREW PASK perform together as “The Choir Boys”; on their latest album, they’ve teamed up with guitarist G.E. STINSON and bass guitarist STEUART LIEBIG for THE CHOIR BOYS WITH STRINGS (pfMentum PFMCD037). Kaiser has a lively approach that makes equal use of acoustic and electronic effects – he’s one of the few players I’ve heard lately to make genuinely creative use of echo – and Pask gives the music plenty of bite with his distracted, angry-hornet alto and clarinet playing, reminiscent at times of Anthony Braxton. The guitarists are stranger and more elusive presences, whose activities are often responsible for shifts in the entire sonic environment: soundscapy bits where jazz horns stand out against abstract electronic backdrops, noisy four-way blitzes, passages of electroacoustic austerity, awesome pile-ups of distortion and reverberation, intricate on-the-hoof fugues created by means of loops and echo. Indeed, it’s the way that the disc steers a path between various genres of improvisation that’s particularly impressive: at one point, for instance, the electronics give way for a lovely passage of straight-up acoustic improv on “Frenchwoman Luggage Cart,” and there’s a nice, squelchy groove that comes into play on “Definitely Jack.” Excellent stuff all round, the quartet sustaining nearly 80 minutes of improvisation at a consistently high level of invention.
Nate Dorward, Cadence, August 2006 |
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ARTISTS The Choir Boys with Strings
Jeff Kaiser: Trumpet, Quarter-Tone Trumpet, Flugelhorn, Electronics
Andrew Pask: Clarinet, Bass Clarinet, Alto Saxophone, Bass Penny Whistle, Electronics
G.E. Stinson: Electric Guitars, Electronics
Steuart Liebig: Contrabass Guitars, Electronics |
TRACKS 1. Needlework Alice 11:59
2. Impromptu Lateral Drop 7:26
3. Tobacconist from Rimini 10:59
4. Frenchwoman Luggage Cart 8:39
5. Adulterous Dishwasher 9:40
6. Definitely Jack 10:23
7. Rest of the Skeleton 15:12
8. Wir Sind Hier 5:28 |
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