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Land Tides

Artist: Jackson Harrison
Jackson Harrison - Land Tides CD
Label: Hatology
Price: $17.95 
Year: 2007
Format: CD

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Listen NowHaven
Listen NowLand Tides
Jackson Harrison is a brilliant young pianist / composer who brings fresh perspectives to the traditional piano trio through his thoughtful and sensitive compositions. – Mike Nock

Harrison's attitude to the work—his regard for the fundamental mystery of the creative process—bodes well for the future: "When playing I am not attempting to 'make' or construct something, I'm just trying to let the music dance, which is the more difficult path to take. That is what all the real masters, like Miles, do. It's not technical mastery, but an openness which is more powerful, vital and mysterious, and not so easily explained." – Stuart Broomer

Recorded December 30th at Systems Two, Brooklyn NY.

This studio set marks twenty-six year old Australian pianist Jackson Harrison’s recording debut. And when you take into consideration that he’s being presented on this prestigious Swiss progressive jazz label, well…that notion alone should generate some curiosity. With the New York City-based rhythm section of drummer Dan Weiss and bassist Thomas Morgan providing the variable undercurrents, the concepts expounded upon here defy the norm. Harrison is a textural painter of ideas who tends to view the larger picture. Therefore, this isn’t about a young man who intends on exciting the jazz world with Art Tatum-like chops. On the contrary, the pianist’s compositions are prismatic in scope and designed with great depth.

The trio executes a sequence of budding dynamics as they merge conventional piano trio mechanisms with unorthodox metrics. On the piece “Rivers And Oceans” Harrison simplifies matters with a 2-chord motif, counterbalanced by Weiss’ ongoing reconfigurations. They render pulsating grooves, firmed up by solid backbeats, swing vamps, and ample stretching room, largely enamored by airy passages and thought-provoking nuances. Harrison’s animated chord voicings generally equate to the reengineering of a particular melody line, where the rhythmic component sometimes serve as contrapuntal statements. Overall, Harrison is an “idea-man,” who conveys remarkable maturity as each subsequent listen reveals subtle revelations. – Glenn Astarita

ARTISTS
Jackson Harrison (piano); Thomas Morgan (double bass); Dan Weiss (drums)
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