Green-Wood

What is interesting is that I wasn't familiar with keyboard ace, James Carney, before this disc, considering he has been Brooklyn-based since 2005 and has two previous discs out. The rest of the fine musicians on this disc are well-known to those hip to the vast downtown network. All of these men are leaders on their own, as well as featured soloists in a variety of situations too numerous to name. Power opens with an ancient analogue synth growl that I haven't heard since the 70's, yet it still works as Malaby provides some sizzling tenor, Roseman softly burning on trombone, all fired up by Ferber's dynamic, propulsive drums. The groove is just right and again out of the 70's with some fine horn harmonies and a great solo by Ralph Alessi with Carney playing some sly, funky electric piano underneath. Smog Cutter features some funky synth & electric piano fueling another great groove with some fine soprano from Mr. Epstein. Mr. Carney has a knack for writing sumptuous melodies, great, somewhat greasy grooves and enchanting arrangements for the four horns. His analogue is often at the center of many of these tunes, yet it sounds warm and not really outdated. What makes many of these pieces special is the way James writes superb, layered harmonies for the horns, always rich in tone and well executed. - DMG