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| Larynx is an analogy; the orchestra as a throat. It follows as corollary to the throat as orchestra: throat singing as practiced by the Inuit of the Canadian Arctic and the hoomii singing of Mongolia, as well as by related jawharp techniques found throughout the world. The natural overtone series is the melodic core of much of these musics and of much of Larynx. Ratios derived from the Fibonacci Series are used to generate tunings and melodic/harmonic material for the strings, brass, slabs, pantars and doubleneck guitarbass, as well as rhythmic material for the ensemble. Recorded and mixed at BC Studio, Brooklyn, New York, June-October 1987. |
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ARTISTS
Elliott Sharp (bass clarinet, soprano saxophone, tenor saxophone, bass guitar, sampler); Saura Seaton, David Soldier (violin); Ron Lawrence (viola); Mary Wooten (cello); Lesli Dalaba (trumpet); David Fulton, Ken Heer, Jim Staley (trombone); Samm Bennett (drums, percussion); David Linton, Bobby Previte, Charles K. Noyes (drums); Soldier String Quartet. |
TRACKS
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Larynx
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