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| Felix Mendelssohn was a fan of this particular tone color: a trio with two clarinets (or related instruments, such as the basset horn) and piano has its own aura of the mysterious with its deep resonances. With contemporary compositions – partly written under the ensembles own initiative – the Bärmann Trio has continued the fascinating Romantic tradition. The compositions go in different directions however. Impressions of Black Forest landscapes are the theme, architecture made audible, disappearing shadows, the- for almost all composers- compulsory discourse on Mozart, on the biblical Eve, even on philosophical mysteries. The works, written between 1980 and 2005, once again demonstrate the aesthetic and continual variety of composers today for the Coviello Contemporary label. |
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ARTISTS
Barmann trio: Sven van der Kuip, clarinet, basset horn, bass clarinet; Ulrich Busing, bass clarinet & basset horn; John Noel Attard, piano |
TRACKS
ERKKI-SVEN TUUR (*1959): Architectonics II for clarinet, bass clarinet & piano (1986/2000); ANDREAS SORG (*1959): Höllental for 2 bass clarinets and piano (2000); ELLIOTT SHARP (*1951): Howlin’ At The Wolfgang for basset horn, bass clarinet and piano (2005); GERHARD MULLER-HORNBACH (*1951): Verblassende Schatten for clarinet in A, basset horn in Es and piano; PATRIK BISHAY (*1975): About Eve for clarinet, bass clarinet and piano (2004); GARY KULESHA (*1954): Mysterium Coniunctionis for clarinet, bass clarinet & piano (1980) |
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