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Sarah Vaughan In Hi-Fi (180g Double)
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Most of Sarah Vaughan's Columbia recordings were on the commercial side, but not the memorable selections on this wonderful vinyl reissue. She recorded eight selections in 1950 with an octet that included trumpeter Miles Davis, trombonist Benny Green, the remarkably cool clarinetist Tony Scott and tenorman Budd Johnson. This double LP adds alternate takes to seven of the numbers, none on the original single LP release. This version of "Ain't Misbehavin'" is a true classic (with memorable eight-bar solos by each of the four horns); "Mean to Me" and "Nice Work If You Can Get It" are gems, and the other performances are not far behind. In addition, Vaughan sings two versions of "The Nearness of You" in 1949; there is also a previously unknown recording of "It's All In the Mind," and three orchestra numbers from 1951 and 1953 wrap up the outstanding reissue. Sassy has rarely sounded better.
Pure Pleasure Records bring you vinyl albums of quality Jazz - Blues - R+B - Soul - Funk, remastered by some of the best engineers in the world and pressed on 180 gram audiophile vinyl at what is probably the best pressing plant in Europe
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ARTISTS
The Nearness Of You – take 5(master), take 1(alt.) Billy Butterfield, Taft Jordan : trumpet / Will Bradley : trombone / Toots Mondello, Hymie Schertzer : alto saxophone / Artie Drelinger, George Kelly : tenor saxophone / Stan Webb : baritone saxophone / Jimmy Jones, Al Caiola : guitar / Eddie Safranski : bass / Cozy Cole : drums Recorded 18th May 1950 : Ain’t Misbehavin’ – take 2(master), take 1 (alt.)/ Goodnight My Love – take 5(master), take 3 (alt.)/ Can’t Get Out Of this Mood – take 6(master), take 4 (alt.)/ It Might As Well Be Spring – take 4(master), take 1 (alt.) Miles Davis : trumpet / Benny Green : trombone / Budd Johnson : tenor saxophone / Tony Scott : clarinet / Jimmy Jones : piano / Freddie Green : guitar / Jr. Billy “Pickels” Taylor : bass / J C Heard : drums. Budd Johnson, Benny Green & Freddie Green do not play on “It Might As Well Be Spring” Recorded 19th May 1950 : Mean To Me – take 2(master), take 1(alt)/ Come Rain Or Come Shine – take 1(master), take 4(alt)/ Nice Work If You Can Get It – take 4(master)/ East Of The Sun (And West Of The Moon) – take 5(master), take 3(alt) Miles Davis : trumpet / Benny Green : trombone / Budd Johnson : tenor saxophone / Tony Scott : clarinet / Jimmy Jones : piano / Mundell Lowe : electric guitar / Jr. Billy “Pickels” Taylor : bass / J C Heard : drums Recorded 30th December 1952 : It’s All In The Mind With a largely unidentified studio orchestra including a prominent alto saxophone and probably the following: P.Cincillo, Red Solomon, J. Milazzo, Jimmy Maxwell : trumpets/ Will Bradley, Al G.(??), Jack Sattersfield : trombone/ Jim Abto, Russ Bazer, Harold Feldman, Bernie Kaufman, Bill Vercazi : saxophones/ Lou Stein : piano/ Art Ryerson : guitar/ Frank Carroll : bass/ Terry Snyder : drums Recorded 19th September 1951 : Pinky – unknown personnel Recorded 5th January 1952 : “Spring Will Be A Little Late This Year” and “Ooh, What ‘Cha Doin’ To Me” - unknown personnel |
TRACKS
Side A: 1. East Of The Sun (And West Of The Moon)/ 2. Nice Work If You Can Get It/ 3. Pinky/ 4. The Nearness Of You/ 5. Come Rain Or Come Shine/ 6. Mean To Me
Side B: 1. It Might As Well Be Spring/ 2. Can’t Get Out Of this Mood/ 3. Spring Will Be A Little Late This Year/ 4. Ooh, What ‘Cha Doin’ To Me/ 5. Goodnight My Love/ 6. Ain’t Misbehavin’
Side C: 1. It’s All In The Mind/ 2. The Nearness Of You (alternate take)/ 3. Ain’t Misbehavin’ (alternate take)/ 4. Goodnight My Love (alternate take)/ 5. Can’t Get Out Of this Mood (alternate take)
Side D: 1. It Might As Well Be Spring (alternate take)/ 2. Mean To Me (alternate take)/ 3. Come Rain Or Come Shine (alternate take)/ 4. East Of The Sun (And West Of The Moon) (alternate take) |
| See all titles featuring Sarah Vaughan |
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