|For this follow-up to 2009’s Colorfield, guitarist Joe Morris brings together Katt
Hernandez, Junko Fujiwara Simons, and his longtime collaborator Luther Grey for a
dense textural landscape of sliding strings, ripping guitar, and pointillist percussion.
Morris explains, “The title comes from a connection I feel to the assembly of tones
in film and photography … there is an attraction to the sense of time stopping
and to the vagaries of tones in images that are of an ‘instant’ … As improvising
musicians we function somewhat like a camera, displaying the moment in sound.”