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Piano Etudes
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| The etude was originally a small-scale composition that was mainly didactic in intent and presented the player with a technical problem. György Ligeti had this more or less specifically in mind when he wrote the First Book of his Études pour piano in 1985. However, Ligeti’s Etudes open a new chapter in his œuvre. Allusions of tonality enter his harmonic language; echoes of folk music crop up, recalling Béla Bartók; on the whole, the sound became brighter. In Estudios para piano, by Fabián Panisello, the generic term “etude” is restored to its original meaning of a preparatory study. |
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ARTISTS Dimitri Vassilakis, piano |
TRACKS Fabián Panisello(b.1963): Estudio no.1, Chroma 1; Estudio no.2, Chroma 2; Estudio no.3, Chroma 3; Estudio no.4, Chroma 4; Estudio no.5, Pentafonías; Estudio no.6, Estudio doble; Estudio no 7, Aksaks I; Estudio no.8, Armonías; Estudio no.1, Aksaks II
Györy Ligeti (1923-2006): Étude no.1, Désordre; Étude no.2, Cordes à vide; Étude no.4, Fanfares; Étude no.5, Arc-en-ciel;Étude no.8, Fém; Étude no.10, Der Zauberlehrling; Étude no.11, En suspens; Étude no.15, White on White; Étude no.18, Canon |
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